Wednesday, January 31, 2018

Year of Epic Fantasy Reading 2017: Day 31 (The Children of Hurin)

Title: The Children of Hurin
Author: John Ronald Reuel Tolkien
Themes: Humanity
Quotes: "Others of the House of Hador bear themselves otherwise, and Tuor among them. For they use courtesy, and they listen to good counsel, holding the Lords of the West in awe. But you, it seems, will take council with your own wisdom..."
Reading/Listening Time: 7 hours, 51 minutes


Review:

This one is a little bit cheating, because I had read this one back in 2009, but I decided to listen to it in 2017 because I found out Christopher Lee performed for the audiobook.

For this review I want to focus on the particular things that stood out to me on this second reading. If you're only familiar with Tolkien's work through "The Lord of The Rings", or even "The Hobbit", this book may take you by surprise. It's written in a similar narrative style to LOTR, but it's a tragedy rather than a heroic tale. (If LOTR is about persevering through adversity with hope, this book is about persevering through adversity when there is no hope.)

We as the readers watch everything that could possibly go wrong, go wrong for our protagonists. Yes, it is a bit of a downer, and I can understand why it might not resonate with most people the way Mr Tolkien's more traditionally heroic offerings do.

However, for me this story is extraordinarily meaningful in the way it explores human nature: thematically, it's willing to go places "The Lord of the Rings" isn't willing to go and because of that it can say things that LOTR couldn't.

(I also think it adds a lot to the whole mythology and background of Middle Earth as a fantasy setting without reading like a D&D guidebook.)

What stood out to me most on my second reading was how the main character's journey was kind of an affirmation of the human identity. In the story, Turin and Nienor have a choice: They can stay with the elves and be safe, or they can venture out into the world and face life on their own terms.

If you're a fan of Tolkien, this story shows us a significant turning point in Middle Earth history. Humans are still a pretty new race in the world and a lot of them like to see themselves as a shorter-lived, weaker versions of what Elves are. Through the course of the story we ultimately see the two kindred races diverge into culturally distinct, separate societies with very different interests and outlooks on life.



Just as a WARNING rest of this post is going to have significant PLOT SPOILERS




What kicks it off is this monumental change is this horrific military defeat: There's this big-bad guy, decides to go to war against an Elvish city (yes, elves had cities back then). The Elves call for help, and their human neighbors take up the call. One of these guys is named Hurin, he's a chief and he leaves behind his pregnant wife and two children. They're the focus of the story because, of course, Hurin's army (along with everyone else...elf and human...who goes to fight) gets decimated.

Oddly enough, Hurin is captured alive. Even though he won, the big-bad guy is so epically pissed at Hurin for helping the elves and making his job harder, that he decides to keep him alive and perform a uniquely cruel form of psychological torture:

The big-bad guy is going to curse Hurin's family, and have Hurin watch how the rest of their lives play out with absolutely no chance of escaping or helping them an any way.

From here the perspective shifts to Hurin's family, but we know Hurin is watching the story unfold alongside us (the reader).

Back at Hurin's village, another chieftain comes into his village and ransacks everything, and abuses his family. Hurin's three-year-old daughter dies of illness, and his son is sent off to live with Elves so the new guy in charge won't kill him. Then the new baby is born, and she looks ridiculously like the father she'll never meet.

Hurin's son is somewhat protected from misfortune while he is with the elves, but presumably Hurin is still watching him being raised by well meaning but emotionally distant elves. Turin does make one elvish friend, but she kind of lives on the fringe of society.

Right away, we notice a big disconnect in the way the Elves and the Humans have handled this loss:


  • The elves suffer a major defeat. The bad guy won, so they decide to stop fighting and live in secret.


  • As a society humans can't really do that, so they have to live under a new regime. 


Hurin's son (Turin) starts to grow up and he starts getting ticked that the elves aren't planning on fighting the big-bad guy who ruined their lives. We start to see how the races different ways of dealing with loss can cause conflict:


  • Turin believes that you should try to make a difference in the world. That your life should ultimately mean something; that he (Turin) should try to make a difference-even if he ultimately fails.


  • The Elves think this is stupid; they'd much rather enjoy immortality than glory.
(^^which is interesting to me because clearly if Turin stayed with them he'd have neither of those things)

Ultimately these two approaches to life aren't compatible. Even after he's come to respect their point of view a bit, he decides that he can't follow their mores. Even after he leaves and whole bunch of horrible stuff starts happening to him, he isn't really tempted to go back.

On my first reading, I kinda thought the point of the story was that Turin should have tried to live more like an elf. (This really fits because Professor Tolkien was really Pro-Elf, like, in LOTR he'll just stop the whole narrative to fanboy about how awesome they are...). There's no doubt in this story that if Turin had stayed safely in obscurity he would have avoided a lot of the horrible stuff that happened to him later on.

On my second reading, I think I have a different impression of what this story is trying to do. Tolkien may be a Elf-fanboy, but this story is  trying to demonstrate more than it's trying preach. It's not about elves, it's about how humans are NOT...and shouldn't be...like elves:

Turin has not one but TWO female elves who fall in love with him, but he can't reciprocate those feelings romantically because he's looking for something that they don't have. At one point there's this evil dragon who manipulates Turin into choose between helping his elvish friends or his human family, it's presented as a gut-wrenching choice but ultimately he chooses his family. Both of these choices are ultimately used against Turin as part of the curse, but on this reading I can't think of them as inherently wrong decisions in context of the larger narrative in Middle Earth.

 For both Turin and his sister Nienor, the elvish sanctuary is a nice place to visit but a horrible place to call home. A static paradise is not a paradise for humans because humans are made for change: to fight or fail, to challenge and redefine the perimeters of their world. 

So whether or not living life their own terms was "worth it" for Turin and Nienor personally, their attempts to do so become cemented into the collective human (and hobbit) identity.

In later ages of Tolkien Legendarium, we see the elves continue to disengage and withdraw into their comfort zone. (Which I guess is perfectly appropriate when you'll live forever and you don't reproduce very fast.) We also see humans/hobbits become more proactive force in the world. That's the real legacy of Turin and Nienor...

Rating: 4/5 Stars


End notes:

Thank you to anyone who's been reading these and sharing my journey. Again, it's kind of a solitary exercise (as much as I try to make it more social on goodreads).

I just carry these things inside me, and it's nice to write these little reviews/commentaries like going to visit a friend (and also...like saying goodbye a bit).

Since my Grandma Peggy died, I've had a really hard time with reading. I was ravenous, and now it's kinda painful because it was G.P who really got me into and encouraged my love of reading. (even though, strangely, we didn't read many of the same things! She loved romances and mysteries! I'm more into classics.)


  • My goal in 2018 is 10 bilingual books.





  • A few other fantasy books that I would definitely recommend:


-Sabriel by Garth Nix
-Norse Mythology by Neil Gaiman
-Jim Henson's Labyrinth by A.C.H Smith
and 
-The Last Unicorn by Peter S. Beagle


  • Also if you have a favorite book in the fantasy genre I'd love to hear about it, feel free to leave a comment :)


Saturday, January 27, 2018

Year of Epic Fantasy Reading: Day 30 (Fireblood)

Title: Fireblood
Author: Jeff Wheeler
Themes: Trust
Quotes: "Strange how people yearn to become holy only after years of depravity.” She smiled knowingly. “Give me chastity and continence, but not yet.”
Reading/Listening Time: 12 hours, 25 minutes


Review:

This was another book that I felt was pretty exciting.  It starts out with this team of wizards from Mirrowen's CDC and they're on a mission to stop this horrible plague. And they end up getting completely massacred. Only two people survive.

And then it skips to, like, 20 years later. It ends up being like you're kind of following two stories: the present timeline, and what's happened in the past 20 years to the survivors of that "CDC" team.

It's interesting because it sets up this sense of uncertainty and you're not really sure who should trust who. The main character is inclined to be obliging, and as a reader you're kinda wondering whether or not he should be like that... Like, "Maybe he's being too naive...but also there could be a really good reason why he can't know certain things yet???"

It ends up being a bit of both, I particularly loved the twist with SPOILER ALERT the sister who acted all nice, but ended up trying to use him for stuff END SPOILER

My favorite character was Paedrin. He's, like, this monk-knight helping the main character. His perspective on the world was a pretty neat contrast to the other characters, plus I thought he was pretty funny.


Rating: 4/5 Stars.


Note:

I was really excited, after I finished this one, and started it's sequel right away.

I didn't finish it, and I thought it was a lot less exciting because it introduced this really boring new character who I didn't care about. If this weren't a sequel, I could understand playing up the mystery some more, but when you're hitting literally every. single. mystery. that we've already figured out from the first book, like you expect us to be surprised all over again, I call bull.

Year of Epic Fantasy Reading 2017: Day 29 (The Golden Compass)

Title: The Golden Compass
Author: Philip Pullman
Themes: Moral development
Quotes: "And though she understood nothing, she was intrigued and delighted by the complexity and the detail."
Reading/Listening Time: 13 hrs and 7 mins (but I listened to it on 1.5x speed because it was a little boring)

Review:

For a long time I didn't want to read this book because I'd read some articles by the author and it really seemed like we didn't seem eye to eye on a couple of subjects, but that really didn't become an issue in this book. I mean, I can see how this can vaguely be construed as a reconstruction/criticism of The Chronicles of Narnia (Lyra vs Lucy, beauty in the natural world vs beauty in the "other" world) but, in this particular book, God is just a curse word. The author is dealing with some very specific religious dogma, and how dangerous it can be when it's taken to extremes.

It's about a girl named Lyra who grows up at a college in England with a bunch of old professors and her "Uncle" who's kind of a douche bag. There's some intrigue because her uncle is involved in this research and they made a discovery about wibbly-wobbly-timey-wimey, and also original sin...and then everyone from the college to the church tries to kill him...


SPOILER ALERT Lyra saves him from being assassinated and he doesn't even friggin care. Like WTH ASSriel?! END SPOILER


My biggest problem with this book was the characters. It was really hard to be invested in them when the adults are friggin cardboard and Lyra goes from like a 7 year old kid mentality to being, like, 11...to suddenly having the reasoning skills of an adult depending on what the writer wants from her at that moment.


The magic system was a little better: everything vaguely magical is described like it's a natural extension of reality, which was actually pretty cool. Unfortunately, it also kinda makes it feel like it exists mostly for aesthetics. I suppose that can be the point: that things just are and they don't have to have to serve a greater purpose, but it didn't make them particularly memorable for me.



Rating 2/5 Stars.

Year of Epic Fantasy Reading 2017: Day 28 (Wizard's First Rule)

Title: Wizard's First Rule
Author: Terry Goodkind
Themes: Truth vs Belief
Quotes: "Mice think they are in the right, but my cat still eats them."
Reading/Listening Time: 34 hours, 10 minutes for entire book, I skipped roughly 10% of it.


Review:

This book was like was like watching a crime drama. I don't know how you feel about crime dramas, but I think they can be pretty engaging (especially if they actually make you invested in the characters), but then inevitably it seems like they'll have these really graphic scenes that just kind of sneak up on you, and you realize you're watching torture-porn.

OK, maybe that's a bit of a strong label...what I mean is that the story can become gradually so much more graphic than it needs to be, and you hardly even notice because you're so wrapped up the tension of it all.

This story does have pretty engaging characters, I liked Richard, and Kalhan, and Zed. (And that cute little girl they kept running into, and the other wizard who was her friend and gave her the doll to let her know how much she was worthy of being loved...cuz everyone else treated her like crap and it #just #ugh #FEELS!)

I loved that each of them knew a different part of the mystery, that the other's didn't know...and how that influenced their whole group dynamic. Like, "I can't tell you this piece of information right now, because you won't understand it, or it will give you the wrong impression of me and right now we need to have each other's backs."-type thing...It's really suspenseful and engaging to read.

And I get that if you're going to have your main character weld a 'Sword of Righteous Indignation', or whatever, you're gonna need some really really horrible, universally despicable people to use it on.

But the whole depiction of someone grooming a child up for ritualistic sacrifice, conveyed using sexual euphemisms, was simply distasteful.I read most of this book on kindle, these types of scenes made me I wish I could eye-vomit that shit out of my head.


(I can't believe I paid for this book)

Rating: I was really torn with the rating, I eventually went with 3/5 Stars because I did enjoy the story. I have not desire to continue the rest of the series tho.

Thursday, January 25, 2018

Year of Epic Fantasy Reading 2017: Day 27 (The Neverending Story)

Title: The Neverending Story
Author: Michael Ende
Themes: Imagination
Quotes: “When it comes to controlling human beings there is no better instrument than lies. Because, you see, humans live by beliefs. And beliefs can be manipulated. The power to manipulate beliefs is the only thing that counts.”
Reading/Listening Time: 13 hours, 46 minutes


Review:

I didn't notice until just now that the author's last name is "Ende" which is funny because in the book he makes a big point of giving his characters ridiculous last names. Like, the main character's last name is "Bux" (Pronounced "Books") and he gets a book in the story. The author's last name could be, like, a play on the title. I don't know if that was intentional, (because the story was originally written in German and I don't know the word for "End" in German) but it's pretty interesting.

All I remember from the movie version is that this kid in the real world is reading a book, and we see what's happening in the book as he reads it. And SPOILER ALERT all this crap happened to the characters in the book (like they died and everything was really sad) but in the end it was just A OK because the kid could always revisit the best bits in his imagination...

So, in his mind, he could go back to when the horse was still alive...and the little boy and the horse were just setting out on the adventure with all this enthusiasm and hope and totally ignorant of the pain and adversity they would face in the future.

(Which sounds totally healthy and appropriate to me...NOT!)

And even as young as I was (I was probably around 10 years old) I just thought it felt like cheating. Like, you're missing out on the whole picture and purpose of it if you just pretend like the bad stuff never happened.

Even though I still think it leaves a lot to be said, I can kinda appreciate where that part of the story is coming from now that I'm older.

What I appreciate even more is that the book version actually has a lot more to say about the purpose of an imagination, and the role escapist literature should play in real life.

The second half of the book could is actually more of a sequel. It gets really metaphysical and it examines the whole mechanism of imagination, and how it can gradually become a malignant force if you let it.

My favorite scene was when the book character Atreyu meets that werewolf who's chained up. It was so cool because they explain the difference between things like an imagining and a delusion, or how does a metaphor become twisted into a lie? Why the imaginary world is important to humans, and exactly why it absolutely shouldn't become "real".

It makes me wanna go back and watch the movie again.

Rating: 4/5 Stars.


Year of Epic Fantasy 2017: Day 26 (An Ember in the Ashes)

Title: An Ember in the Ashes
Author: Sabaa Tahir
Themes: Freedom
Quotes:“There are two kinds of guilt. The kind that's a burden and the kind that gives you purpose. Let your guilt be your fuel. Let it remind you of who you want to be. Draw a line in your mind. Never cross it again.”
Reading/Listening Time: 15 hours, 22 minutes


Review:

I wanted to read some fantasy novels that weren't based on European myths. I started out reading one called "The Bone Witch" but I kinda lost enthusiasm for it and couldn't finish. Then I remembered reading a magazine article about this lady who wrote a fantasy novel based on the concept of, like, "Your brother got kidnapped by terrorists, what would you do to save him?" but in a middle-eastern fantasy setting. And that sounded really interesting to me (especially coming off from "The Bone Witch" because I would have LOVED for that one to explore the sister and brother relationship it had more).

This one has a dual protagonist set up, and it's not actually the brother and sister. It's these two young adults on opposite ends of the sociopolitical spectrum: Elias is the guy and he's from this quasi-romanesque culture and he's going to this gladiator school so he can be a killing machine when he grows up.  Laia is from a kind of intellectual Persian/Iranian type-culture that lives in subjection to the not-romans. She wants to be a doctor, but her brother got involved with this underground rebellion and he got in big trouble. The rest of her family got killed, so she goes all clandestine to get help so he can escape before they decide to execute him.

One thing I really liked about this set up, is that it means there's always a lot going on with either one protagonist or the other. The whole time you're wondering how they're gonna finally meet up, and when they do it's interesting to see what they think of each other.

I guess it kind of is like a YA romance, but it didn't feel so forced because the author spent a lot of time developing both of the protagonists before they even meet, and the story doesn't progress their relationship unrealistically quickly. I kept thinking it would be totally stupid if Laia just fell for this guy who she thinks is gonna be a killing machine when he grows up, and I was so so glad when it didn't turn out that way and they were going to tackle the romance aspect a bit more tactfully and in a way that felt like it fit with the world it takes place in.

As far as the fantasy aspects, the story references a lot of things like Ifrits, Djinn and Ghouls (which makes my inner fangirl happy because I LOVE them!) They even have these monk-like guys/ladies who can see the future, and at one point they're described as almost reptilian in appearance (LIZARD PEOPLE YAAY!!!)

I will say it takes a while to figure out how all of these elements fit into the story, at some points they feel almost like they're gonna be used for asthetic but later on they become more relevant and there's an actual explanation for what happened to them.

SPOILER ALERT

Apparently a lot of them were killed by this Djinn called The Nightbringer some time in the past which is CLEARLY being established as set up for something significant later on END SPOILER

I think there's a lot in this book that is engaging, and quite a bit that is meaningful. I also really loved that you feel like, as seemingly intricate/detailed as this book is, we're only seeing a small piece of the whole puzzle of this world and how it works and it could get a whole lot bigger in the next one in the series.

Rating 4/5 Stars.



Wednesday, January 24, 2018

Year of Epic Fantasy 2017: Day 25 (The Kingkiller Chronicle books 1 & 2.5)

Title: The Kingkiller Chronicle: "The Name of the Wind" (Book 1) & "The Slow Regard of Silent Things" (Book 2.5)
Author: Patrick Rothfuss
Themes: Regret
Quotes: From The Name of the Wind: "Call a jack a jack. Call a spade a spade. But always call a whore a lady. Their lives are hard enough, and it never hurts to be polite."
From The Slow Regard of Silent Things: “It was wise enough to know itself, and brave enough to BE itself, and wild enough to change itself while somehow staying altogether true.”
Reading/Listening Time: The Name of the Wind: 27 hours, 56 mins & The Slow Regard of Silent things: 3 hours, 39 minutes


Review:

These two books are stories that I value more for the characters the present then the world they create.

The first book has this biographer guy going to find this reclusive legendary dude who apparently did all of these epic things when he was younger. He eventually finds him and convinces him to tell his story, but because the legendary dude (Kvothe) is really poetical he wants to tell it in his own way.

He's like "Well, you better get your pen ready cuz this is gonna take THREE DAYS for me to get through..."

The rest of the entire book is Day 1 of him telling his story...

Which, IDK...I think it actually takes LONGER than 24 hours from that point to the end of the book on audio so Kote/Kvothe, as long winded as he was, must have been talking REALLY fast.

Honestly, though, this book was a resounding success for me. It reminded me a lot of the people I've met and taken care of as a nurse. A lot of them have lived really interesting lives and done things they're proud of, and things they're not proud of. And because in the hospital or nursing home, sometimes you meet these people and they're in crisis, or at the end of their lives, they want to share it with you. And it's a truely precious thing! Even if you have NOTHING in common with that person...you can build that connection and you carry it with you for the rest of your life.

That's what this book captured so perfectly to me. Now, I don't greatly admire Kvothe as a heroic figure (I don't even accept him as a particularly reliable narrator) but there is a place in my heart for him because he makes me think of the individuality of each person I've ever met (even the people I don't like very much, because I don't think I'd have liked young!Kvothe very much).



The second book I read in this series is kind of a spinnoff. It's not Day 2 of Kvothe's journey, it deals with a completely different character who Kvothe met while he was in school. It's written in a very different style from the first book, and it's a lot shorter because it's just this snapshot in the life of this kind of severely autistic, homeless woman.

A lot of people didn't like it because it doesn't really advance the plot of the series a whole lot, but for me it had what attracts me to this world so much, which is the really interesting characters. Even as limited as Auri is in her perspective and the ways she can interact with the world, even in the ways she can think...there's a beautiful humanity to her. Her world is small, and she spends most of her time alone, but her life is so incredibly full. of wonder and beauty and tragedy...

It's amazing, quite honestly.


Overall the thing I appreciate most about Mr Rothfuss' writing his how he examines brokenness in people, and the idea that "broken" does not mean "ruined".  You can still be the best version of yourself even if you're disabled and feel like you can't achieve the same things as other people can, or you feel like you've failed in some way in your life. It's a really bittersweet message, and it resonated with me very strongly.

Rating: 5/5 For The Name of the Wind, 4/5 for The Slow Regard of Silent Things